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The Four Faces therefore simultaneously represent two aspects of the Divine Word; one recognized since ancient times the Four Gospels and one newly revealed by the integration of the Wheel with the Menorah. The differences between Ezekiel's vision and that of Revelation 4 are as important as their similarities. In Revelation, the Four Faces are separated and distributed amongst the Four Cherubim and the wheels are absent. These represent the Four Gospels in their traditional canonical order, and are listed by number as the first, second, third, and fourth. In contrast, Ezekiel reveals the Cherubim with Four Faces each. They simultaneously represent four aspects of the One Lord Jesus Christ, the Living Word, and four aspects of His Bible, the Written Word, that reveals Him to us.
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Furthermore, interviewee 2 elaborated on the importance of social interactions when travelling, preferring it to travel together with friends and being able to share the experiences. Towards the end of the interview the author redirected the topic back to the participants travel motives, particularly referring to daily life and usual surroundings. All three codes relate to the already explained concept of deliberately using leisure travel to create a physical distance to the daily surroundings and routine, aiming at establishing a psychological distance, too, supported by experiencing differentiation and distraction. Apparently the urge to travel is triggered by stress due to high workload, a pressure from the daily life, relating urge to the current employment status of the respective interviewees. Consequently, leisure travel is seen as reward for accomplishing the workload, and travel planning is used as distraction. Following the urge a destination gets chosen according to travel purpose, determining the activities. Due to the fact that within the first two interviews the direction of the research emerged, focusing on specific appearing relations and concepts, the remaining interviews are illustrated and discussed in less detail, concentrating on aspects confirming the concepts outlined in 4. 2. 2 and 4. 2. 3, or showing differences.
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Several of the Series 3 models are lower in price than other BMW cars and might therefore appeal to younger, upwardly mobile market segments. The touring models will appeal more to large families or those who want larger vehicles, whereas the coupe and convertible will appeal more to single individuals. The main motivation to purchase a Series 3 BMW would be to own a status symbol car without having to spend an inordinate amount of money. Therefore, status and reliability would be the main needs and wants of the target market segment for the Series 3. Series 5 BMWs are similar to the Series 3 models, but are four door sedans rather than two door. The Series 5 models also carry higher price tags and will appeal more to an The James Bond tie in ensured that this message was received strongly by the target audience.
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Developed on the basis of extensive interviews with Harvard undergraduates, Perry sought to "map conceptually the structures which the students explicitly or implicitly impute to the world. " According to Perry, these structures transcend content in that they describe not what a student thinks, but how they think and arrive at conclusions. Article Source: espite being home to the world's largest film industry, just five years ago India was in need of better equipped film institutes. Enter veteran filmmaker Subhash Ghai, who launched Whistling Woods International, Asia's largest film, TV, animation and media arts institute. Located on 20 acres in Mumbai's Film City studio complex and sponsored by Ghai's Mukta Arts which has produced some of Bollywood's biggest hits, WWI's faculty is headed by dean John Jerome Lee, a former entertainment industry executive. Its advisory board includes acclaimed director Shyam Benegal and superstar Shah Rukh Khan, DreamWorks Animation's Shelley Page, "Elizabeth" director Shekhar Kapur and producer David Puttnam. "Almost 80% of people working in the industry don't have professional training and hence end up learning on the job, which was the impetus for us to launch WWI," says Ghai's daughter, Meghna Ghai Puri, who is also WWI's president. "It offers a unique, two year MBA in media and entertainment for people who want to be executives in areas such as marketing and finance. " Specializations include directing, cinematography and editing, along with animation and acting. Tuition is about $28,900 for the two year program. Nyay BhushanThe Australian Film, Television and Radio School has undergone some significant changes in the past two years, including the move to a new state of the art campus in Sydney's film hub and an overhaul of the courses it offers to students and established industry practitioners.
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